RED KOMODO 6K

 

RED KOMODO 6K :                                           250€ HT/Jour

• 1 corps caméra RED KOMODO en monture RF
• 1 Bague d’adaptation vers PL, EF, M, FD, OM (sur demande)
• 3 cartes Cfast 512Gb + Lecteur
• 1 Adaptateur V-Lock
• 4 Batteries V-Lock micro 98wh + chargeur

                  + 90€ HT/Jour : Moniteur 7″ SmallHD Indie 7 avec licence pour contrôler la caméra

 

SENSOR TYPE KOMODO 19.9 MP Super 35mm Global Shutter CMOS
EFFECTIVE PIXELS 6144 x 3240
SENSOR SIZE 27.03 mm x 14.26 mm (Diagonal: 30.56mm)
DYNAMIC RANGE 16+ Stops (claimed)
MOUNT TYPE RF mount
Accepts Canon RF mount-based lens adaptors for diverse lens choices
Supports Canon EF with full electronic communication via compatible Canon RF mount adapters, and supports mechanically operated RF lenses (electronic control of Canon RF lenses not supported at this time) [1]
MAX DATA RATES Up to 280 MB/s using RED Pro CFast or other qualified CFast 2.0 media cards
REDCODE® RAW MAX FRAME RATES 40 fps at 6K 17:9 (6144 x 3240)
48 fps at 5K 17:9 (5120 x 2700)
60 fps at 4K 17:9 (4096 x 2160)
120 fps at 2K 17:9 (2048 x 1080)
PLAYBACK FRAME RATES (PROJECT TIME BASE) 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions
BEST AVAILABLE REDCODE® SETTINGS REDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 40 fps
REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 60 fps
REDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 120 fps
REDCODE® RAW
ACQUISITION FORMATS
6K 17:9 (6144 x 3240), 2.4:1 and 16:9
5K 17:9 (5120 x 2700)
4K 17:9 (4096 x 2160)
2K 17:9 (2048 x 1080)
APPLE PRORES 4K (4096 × 2160) at ProRes 422 HQ and ProRes 422 up to 60 fps
2K (2048 × 1080) at ProRes 422 HQ and ProRes 422 up to 120 fps
CONSTRUCTION Aluminum Alloy
WEIGHT 2.10 lbs (0.9 Kg) without body cap and Cfast card
BATTERY TYPE Two slots for BP-9XX series batteries
DC POWER INPUT +7 to +17 V DC via the integrated 2-pin DC-IN port
Operating Temperature 0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE –20°C to 50°C (–4°F to 122°F)
STORAGE RELATIVE HUMIDITY 0% to 85% non-condensing
COLOR MANAGEMENT Image Processing Pipeline 2 (IPP2)
Supports 33×33×33 3D LUTs
Supports import of CDLs
AUDIO Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz
Additional dual channel via integrated 3.5mm audio jack, uncompressed, 24-bit 48 kHz
REMOTE CONTROL WiFi for camera control via interchangeable antenna with SMA connection
Genlock, Timecode-in, GPIO and Ctrl (RS232) via the integrated 9-pin EXT Port
Wired control via KOMODO Link Adaptor, using USB-C or Gigabit Ethernet (compatible USB-C to Ethernet adapter1 required) allowing camera control and live MJPEG preview video feed
MONITOR OUTPUTS Integrated 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes
12G-SDI: Up to 4096 x 2160 4:2:2 for 60p
6G-SDI: Up to 4096 x 2160 4:2:2 for 30p
3G-SDI: Up to 2048 x 1080 4:2:2 for 60p
1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 24p
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOR OPTIONS Integrated 2.9″ 1440×1440 touchscreen LCD with preview and camera control
Wireless live preview video feed via 2.4Ghz/5Ghz WiFi for framing
RED CONTROL Access full camera controls and live preview from iOS or Android devices.
Available from the Apple App Store and Google Play Store (coming soon). RED Control works wirelessly or wired via the KOMODO Link Adaptor (sold separately).

 

 

ADRESSE

17 rue Gabrielle

94250 GENTILLY

NOUS CONTACTER

01 84 23 10 00

contact@full-motion.fr

Horaires D’OUVERTURE

Du Lundi au Vendredi

De 09h à 18h

Design by Vulcan Studio © Copyright 2020  Full Motion