ARRI ALEXA MINI LF

 

ARRI ALEXA MINI  LF :                                950€ HT/Jour

• 1 Corps caméra ALEXA MINI LF en monture LPL (avec connecteur LBUS)
• 1 Bague d’adaptation PL to LPL
• 4 Cartes Codex Compact Drive 1TB
• 1 Lecteur de carte Compact Drive (USB-C)
• Viseur HD OLED 4″ MVF-2
• 6 Batte­ries V-lock Bebob 200Wh + chargeur 4 voies
• Hot Swap
• Support de tige

 

Compatible avec le moniteur ARRI CCM-1 :  +100€ HT/Jour

Option : Kit ARRI spécial pour mettre la caméra à la verticale (idéal pour format smartphone 9/16 ou Instagram 4/5).

Sensor Type Large Format ARRI ALEV III (A2X) CMOS sensor with Bayer pattern color filter array
Sensor Maximum Resolution and Size 4448 x 3096
36.70 x 25.54 mm / 1.444 x 1.005″
⌀ 44.71 mm / 1.760″
Sensor Frame Rates 0.75 – 90 fps

Weight

 

Measurements (HxWxL)

∼2.6 kg / ∼5.7 lbs
(camera body with LPL lens mount)
800 g (MVF-2)

140 x 143 x 188 mm / 5.5 x 5.6 x 7.4″
(camera body with LPL lens mount)
Photosite Pitch 8.25 μm
Sensor Active Image Area (photosites) ARRIRAW 4.5K LF 3:2 Open Gate – 4.5K: 4448 x 3096
ARRIRAW 4.5K LF 2.39:1 – 4.5K: 4448 x 1856
ARRIRAW 3.8K LF 16:9 – UHD: 3840 x 2160
ARRIRAW 2.8K LF 1:1 – 2.8K: 2880 x 2880
ARRIRAW 3.4K S35 3:2 – 3.4K: 3424 x 2202
Apple ProRes 4.5K LF 3:2 Open Gate – 4.5K: 4448 x 3096
Apple ProRes 4.5K LF 2.39:1 – 4.5K: 4448 x 1856
Apple ProRes 4.3K LF 16:9 – UHD: 4320 x 2430
Apple ProRes 4.3K LF 16:9 – HD: 4320 x 2430
Apple ProRes 3.8K LF 16:9 – UHD: 3840 x 2160
Apple ProRes 3.8K LF 16:9 – 2K: 3840 x 2160
Apple ProRes 3.8K LF 16:9 – HD: 3840 x 2160
Apple ProRes 2.8K LF 1:1 – 2.8K: 2880 x 2880
Apple ProRes 3.2K S35 16:9 – 3.2K: 3200 x 1800
Apple ProRes 2.8K S35 4:3 – 2.8K: 2880 x 2160
Apple ProRes 2.8K S35 16:9 – HD: 2880 x 1620
Sensor Active Image Area (dimensions) ARRIRAW 4.5K LF 3:2 Open Gate – 4.5K: 36.70 x 25.54 mm / 1.445 x 1.006″
ARRIRAW 4.5K LF 2.39:1 – 4.5K: 36.70 x 15.31 mm / 1.445 x 0.603″
ARRIRAW 3.8K LF 16:9 – UHD: 31.68 x 17.82 mm / 1.247 x 0.702″
ARRIRAW 2.8K LF 1:1 – 2.8K: 23.76 x 23.76 mm / 0.935 x 0.935″
ARRIRAW 3.4K S35 3:2 – 3.4K: 28.25 x 18.17 mm / 1.112 x 0.715″
Apple ProRes 4.5K LF 3:2 Open Gate – 4.5K: 36.70 x 25.54 mm / 1.445 x 1.006″
Apple ProRes 4.5K LF 2.39:1 – 4.5K: 36.70 x 15.31 mm / 1.445 x 0.603″
Apple ProRes 4.3K LF 16:9 – UHD: 35.64 x 20.05 mm / 1.403 x 0.789″
Apple ProRes 4.3K LF 16:9 – HD: 35.64 x 20.05 mm / 1.403 x 0.789″
Apple ProRes 3.8K LF 16:9 – UHD: 31.68 x 17.82 mm / 1.247 x 0.702″
Apple ProRes 3.8K LF 16:9 – 2K: 31.68 x 17.82 mm / 1.247 x 0.702″
Apple ProRes 3.8K LF 16:9 – HD: 31.68 x 17.82 mm / 1.247 x 0.702″
Apple ProRes 2.8K LF 1:1 – 2.8K: 23.76 x 23.76 mm / 0.935 x 0.935″
Apple ProRes 3.2K S35 16:9 – 3.2K: 26.40 x 14.85 mm / 1.039 x 0.585″
Apple ProRes 2.8K S35 4:3 – 2.8K: 23.76 x 17.82 mm / 0.935 x 0.702″
Apple ProRes 2.8K S35 16:9 – HD: 23.76 x 13.37 mm / 0.935 x 0.526″
Recording File Container Size (pixel) ARRIRAW 4.5K LF 3:2 Open Gate – 4.5K: 4448 x 3096
ARRIRAW 4.5K LF 2.39:1 – 4.5K: 4448 x 1856
ARRIRAW 3.8K LF 16:9 – UHD: 3840 x 2160
ARRIRAW 2.8K LF 1:1 – 2.8K: 2880 x 2880
ARRIRAW 3.4K S35 3:2 – 3.4K: 3424 x 2202
Apple ProRes 4.5K LF 3:2 Open Gate – 4.5K: 4480 x 3096
Apple ProRes 4.5K LF 2.39:1 – 4.5K: 4480 x 1856
Apple ProRes 4.3K LF 16:9 – UHD: 3840 x 2160
Apple ProRes 4.3K LF 16:9 – HD: 1920 x 1080
Apple ProRes 3.8K LF 16:9 – UHD: 3840 x 2160
Apple ProRes 3.8K LF 16:9 – 2K: 2048 x 1152
Apple ProRes 3.8K LF 16:9 – HD: 1920 x 1080
Apple ProRes 2.8K LF 1:1 – 2.8K: 3072 x 2880
Apple ProRes 3.2K S35 16:9 – 3.2K: 3200 x 1800
Apple ProRes 2.8K S35 4:3 – 2.8K: 2880 x 2160
Apple ProRes 2.8K S35 16:9 – HD: 1920 x 1080
Recording File Image Content (pixel) ARRIRAW 4.5K LF 3:2 Open Gate – 4.5K: 4448 x 3096
ARRIRAW 4.5K LF 2.39:1 – 4.5K: 4448 x 1856
ARRIRAW 3.8K LF 16:9 – UHD: 3840 x 2160
ARRIRAW 2.8K LF 1:1 – 2.8K: 2880 x 2880
ARRIRAW 3.4K S35 3:2 – 3.4K: 3424 x 2202
Apple ProRes 4.5K LF 3:2 Open Gate – 4.5K: 4448 x 3096
Apple ProRes 4.5K LF 2.39:1 – 4.5K: 4448 x 1856
Apple ProRes 4.3K LF 16:9 – UHD: 3840 x 2160
Apple ProRes 4.3K LF 16:9 – HD: 1920 x 1080
Apple ProRes 3.8K LF 16:9 – UHD: 3840 x 2160
Apple ProRes 3.8K LF 16:9 – 2K: 2048 x 1152
Apple ProRes 3.8K LF 16:9 – HD: 1920 x 1080
Apple ProRes 2.8K LF 1:1 – 2.8K: 2880 x 2880
Apple ProRes 3.2K S35 16:9 – 3.2K: 3200 x 1800
Apple ProRes 2.8K S35 4:3 – 2.8K: 2880 x 2160
Apple ProRes 2.8K S35 16:9 – HD: 1920 x 1080
Exposure Latitude 14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
Exposure Index Adjustable from EI 160-3200 in 1/3 stops
EI 800 base sensitivity
Recording formats MXF/ARRIRAW
MXF/Apple ProRes 4444 XQ
MXF/Apple ProRes 4444
MXF/Apple ProRes 422 HQ
Recording Media Codex Compact Drives
Recording frame rates ARRIRAW 4.5K LF 3:2 Open Gate – 4.5K: 0.75 – 40 fps
ARRIRAW 4.5K LF 2.39:1 – 4.5K: 0.75 – 60 fps
ARRIRAW 3.8K LF 16:9 – UHD: 0.75 – 60 fps
ARRIRAW 2.8K LF 1:1 – 2.8K: 0.75 – 60 fps
ARRIRAW 3.4K S35 3:2 – 3.4K: 0.75 – 60 fps
Apple ProRes 4.5K LF 3:2 Open Gate – 4.5K: 0.75 – 40 fps
Apple ProRes 4.5K LF 2.39:1 – 4.5K: 0.75 – 60 fps
Apple ProRes 4.3K LF 16:9 – UHD: 0.75 – 48 fps
Apple ProRes 4.3K LF 16:9 – HD: 0.75 – 75 fps
Apple ProRes 3.8K LF 16:9 – UHD: 0.75 – 60 fps
Apple ProRes 3.8K LF 16:9 – 2K: 0.75 – 90 fps
Apple ProRes 3.8K LF 16:9 – HD: 0.75 – 90 fps
Apple ProRes 2.8K LF 1:1 – 2.8K: 0.75 – 60 fps
Apple ProRes 3.2K S35 16:9 – 3.2K: 0.75 – 75 fps
Apple ProRes 2.8K S35 4:3 – 2.8K: 0.75 – 75 fps
Apple ProRes 2.8K S35 16:9 – HD: 0.75 – 100 fps
Color output Rec 709
Rec 2020
Log C
Custom Look (ARRI Look File ALF-2)
Look control Import of custom 3D LUT
ASC CDL parameters (slope, offset, power, saturation)
Shutter Electronic shutter, 5.0°- 356° or 1s – 1/8000s
Filters Built-in motorized ND filters 0.6, 1.2, 1.8
Fixed optical low pass, UV, IR filter
White balance Manual and auto white balance, adjustable from 2000K to 11000K in 10K steps
Color correction adjustable range from -16 to +16 CC
1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values
Sound level < 20 dB(A) at 24fps
Environmental ‘-20° C to +45° C (-4° F to +113° F) @ 95% humidity max, non-condensing splash and dust-proof through sealed electronics
Viewfinder Multi Viewfinder MVF-2 with 4″ flip-out monitor
OLED viewfinder display
LCD fold out monitor
Resolution : 1920 x 1080
Lens Squeeze Factors 1.00
1.25
1.30
1.50
1.65
1.80
2.00
ARRI lens motor control Built-in white coded radio interface for ARRI lens and camera remote control LBUS motor output for daisy-chainable cforce lens control motors Lens Data Archive
Wireless Interfaces Built-in WiFi module (IEEE 802.11b/g)
Built-in White Radio for ARRI lens and camera remote control
Flange Focal Depth LPL mount: 44 mm
with PL-to-LPL adapter: 52 mm
Power input 1x LEMO 8pin (11-34 V DC)
Image outputs

1x proprietary signal output for MVF-2 viewfinder on VF CoaXPress connector (video, audio, power, control signals)
SDI 1:
-HD only, Processed or Clean, with or without a look file applied
-1.5G 422 HD (SMPTE ST292-1, up to 30 fps, progessive (p) or progressive segmented frame (psf))
-3G 422 HD (SMPTE ST425-1, up to 60 fps, p)
-3G 444 HD (SMPTE ST425-3, up to 30 fps, p)
SDI 2:
-HD or UHD, Clean only, with or without a look file applied, or SDI 1 clone
-1.5G 422 HD (SMPTE ST292-1, up to 30 fps, p or psf)
-3G 422 HD (SMPTE ST425-1, up to 60 fps, p)
-3G 444 HD (SMPTE ST425-3, up to 30 fps, p)
-6G 422 UHD (SMPTE ST2081-10, up to 30 fps, p)

 

“Clean” is an image without surround view or overlays (status, false color, zebra, framelines, etc.)
“Processed” is an image with surround view or overlays.
Audio Input 1x LEMO 6pin balanced stereo line in with 12V power output
(Line input max. level +24dBu correlating to 0dBFS)
Audio Output SDI (embedded)
3,5mm stereo headphone jack (on MVF-2)Large
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